Recorders, typically talking, are supposed to sit within the background, quietly absorbing sound with out contributing to it. They’re a impartial, inconspicuous product kind virtually by necessity. For those who’re recording subject audio, like attempting to seize the proper loon name out within the wild, you’d be higher served by a correct shotgun mic to pinpoint the sound. Audio recorded straight in a studio sounds nice on the TP-7, however once more, you possibly can deal with that with some far cheaper but nonetheless really good microphones.
The machine will also be difficult to navigate, with some menu diving required to entry sure options that gained’t really feel intuitive immediately. There’s additionally some kinks you’ll discover in case you’re coming from one other kind of recorder.
As one instance, I attempted to feed music from Spotify by the TP-7 to check the line-in capabilities, with a pair of headphones plugged into the output jack so I may monitor the sound. On the time, I didn’t notice that by default the audio nonetheless performed by each the plugged-in headphones and the on-device audio system. That’s, till my girlfriend got here in from the opposite room, laptop computer in hand, to faucet me on the shoulder and say, “I’m getting on a name with my boss. Are you able to please cease blasting that song.”
I used to be in a position to remedy this little downside, together with just a few related snafus, by sifting by the thick little flip-book that’s the instruction handbook. However typically there wasn’t precisely an intuitive means of figuring that out with out handbook diving. And a few interactions take a bit to get the hold of.
Leaving the recorder operating, as an illustration, takes two button presses—one faucet of the purple File button, then a separate press of the Play button proper subsequent to it. On related units from different manufacturers, you often simply faucet the File button as soon as and it begins taping. These little idiosyncrasies are the worth you pay for one thing like this. (Moreover, , the precise value you pay for it.)
Women Simply Wanna Have Enjoyable
Viewing the TP-7 from some type of hoity-toity skilled standpoint is probably just a little disingenuous. As a result of the TP-7 is only a good time. It’s much more enjoyable than you’d count on a recorder to be. In any case, you’ll recall that the entire entrance disc spins when you’re recording, and the factor simply feels nice in your hand, with all its clicky-clacky buttons and clean switches.
There’s additionally intelligent, well-thought-out capabilities that make recording extra attention-grabbing. For those who press the Play button a second time whereas playback goes, the disk will reverse its spin and play the audio backward. It’s a enjoyable little choice that could possibly be nice for music producers fiddling a pattern or anybody checking their recordings for any secret satanic messages.
Additionally the power to combine and match inputs and outputs with the plugs on the high affords a substantial amount of flexibility for combining with different audio gizmos. I paired the TP-7 with one other of Teenage Engineering’s creations: the EP-133 K.O.2, a remarkably inexpensive (for Teenage Engineering) sampling machine. By mixing and matching the enter and output cables between the units, I may file from the sampler into the TP-7, then manipulate the sound there and port it again over to the sampler, with the DJ scratch sounds absolutely intact.
